This research addresses refinement of a theory of speech production that has existed for more than half a century, the source-filter theory. It is used routinely in acoustic phonetics and in the description of voice and speech disorders. It is also used extensively in speech processing to separate sound sources from sound resonators. Recent advances in speech production research, primarily with computer simulation, have shown that the primary sound source in the larynx (glottal airflow) can be highly influenced by acoustic pressures propagating backwards from the vocal tract to the larynx. The feedback interaction can disturb vocal fold vibration, producing pitch jumps, subharmonic frequencies, or even chaos. It can also affect the phonation threshold pressure, making it either more easy or more difficult to self-sustain vocal fold oscillation. The significance of the research is that cerain vocal sound qualities, often labeled as voice disorders, may be part of a normal inventory of human sounds.
Specific aims are (1) to determine if vocal intensity can be affected by source-filter interaction (SFI), (2) to discover which vocal tract configurations lead to the greatest interactions, (3) to validate or invalidate a procedure known as inverse-filtering, which allegedly separates the source characteristics from filter characteristics, and (4) to determine if vocal instabilities in the aging male voice are related to SFI. Human volunteers and computer simulation will be used in a structured way to quantify and explain the nature of SFI.
Speech production involves both creation of sound and reinforcement of sound. The larynx is the primary sound producing organ, and the airway (vocal tract) is the resonator. It has traditionally been assumed that the two function (and are controlled) independently, one producing pitch, loudness, and voice quality while the other produces vowels and consonants. It is investigated in this research whether or not this independence always exists. The airway structure (shape) may influence the production of sound in the larynx, creating loudness and pitch changes, as well as instabilities that are perceived as roughness and uncertainty in control. Some of these instabilities are observed in aging voices.
|Titze, Ingo R; Maxfield, Lynn M; Walker, Megan C (2017) A Formant Range Profile for Singers. J Voice 31:382.e9-382.e13|
|Maxfield, Lynn; Palaparthi, Anil; Titze, Ingo (2017) New Evidence That Nonlinear Source-Filter Coupling Affects Harmonic Intensity and fo Stability During Instances of Harmonics Crossing Formants. J Voice 31:149-156|
|Palaparthi, Anil; Maxfield, Lynn; Titze, Ingo R (2017) Estimation of Source-Filter Interaction Regions Based on Electroglottography. J Voice :|
|Titze, Ingo R (2017) Human Speech: A Restricted Use of the Mammalian Larynx. J Voice 31:135-141|
|Titze, Ingo R; Alipour, Fariborz; Blake, Douglas et al. (2017) Comparison of a fiber-gel finite element model of vocal fold vibration to a transversely isotropic stiffness model. J Acoust Soc Am 142:1376|
|DeJonckere, Philippe Henri; Lebacq, Jean; Titze, Ingo R (2017) Dynamics of the Driving Force During the Normal Vocal Fold Vibration Cycle. J Voice 31:649-661|
|Hunter, Eric J; Titze, Ingo R (2016) Progression of Voice Breaks in a Nonpathological Voice as an Indicator of Aerodigestive Health. J Am Geriatr Soc 64:e93-e94|
|Titze, Ingo R; Maxfield, Lynn; Palaparthi, Anil (2016) An Oral Pressure Conversion Ratio as a Predictor of Vocal Efficiency. J Voice 30:398-406|
|Titze, Ingo R (2015) Sensitivity of odd-harmonic amplitudes to open quotient and skewing quotient in glottal airflow. J Acoust Soc Am 137:502-4|
|Titze, Ingo R; Baken, Ronald J; Bozeman, Kenneth W et al. (2015) Toward a consensus on symbolic notation of harmonics, resonances, and formants in vocalization. J Acoust Soc Am 137:3005-7|
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