This continuation application extends the investigator's research on expressive microstructure (EM). EM refers to the subtle but systematic variations in timing, dynamics, and articulation that make performed music expressive and aesthetically appealing. The present application focuses on the temporal coordination of perception and action. The basic paradigm used in many of the proposed studies is perceptual-motor synchronization. Synchronization is not only important in realistic music performance (such as ensemble playing or following a conductor's beat), but it draws on basic (neuro)psychological processes that subserve timing perception, timing in motor control, and coordination of perception and action. The first proposed series of synchronization experiments using simple auditory sequences follows up on the investigator's recent finding that error correction in synchronization occurs for timing perturbations that are perceptually subliminal (i.e., not available to consciousness). These perturbation experiments will investigate basic questions about the processes underlying the direct coupling of auditory perception with rhythmic action. A second proposed series of experiments concerns synchronization with music, played with or without expressive timing. This series includes studies that will use synchronization accuracy as a measure of temporal pattern learning and musical imagery, investigate the influence of perceived musical structure on motor timing, examine the actual coordination between two pianists playing together, and investigate the imitation of expressive timing. This research is expected to provide new insights into the largely subconscious psychological processes underlying the flexible control of timing in both musical and nonmusical contexts.

Agency
National Institute of Health (NIH)
Institute
National Institute of Mental Health (NIMH)
Type
Research Project (R01)
Project #
5R01MH051230-09
Application #
6528771
Study Section
Special Emphasis Panel (ZRG1-BBBP-7 (01))
Program Officer
Kurtzman, Howard S
Project Start
1993-09-01
Project End
2005-08-31
Budget Start
2002-09-01
Budget End
2005-08-31
Support Year
9
Fiscal Year
2002
Total Cost
$182,999
Indirect Cost
Name
Haskins Laboratories, Inc.
Department
Type
DUNS #
060010147
City
New Haven
State
CT
Country
United States
Zip Code
06511
Repp, Bruno H (2008) Multiple temporal references in sensorimotor synchronization with metrical auditory sequences. Psychol Res 72:79-98
Keller, Peter E; Repp, Bruno H (2008) Multilevel coordination stability: integrated goal representations in simultaneous intra-personal and inter-agent coordination. Acta Psychol (Amst) 128:378-86
Repp, Bruno H (2007) Perceiving the numerosity of rapidly occurring auditory events in metrical and nonmetrical contexts. Percept Psychophys 69:529-43
Repp, Bruno H; Knoblich, Gunther (2007) Toward a psychophysics of agency: detecting gain and loss of control over auditory action effects. J Exp Psychol Hum Percept Perform 33:469-82
Repp, Bruno H (2006) Does an auditory distractor sequence affect self-paced tapping? Acta Psychol (Amst) 121:81-107
Keller, Peter E; Repp, Bruno H (2005) Staying offbeat: sensorimotor syncopation with structured and unstructured auditory sequences. Psychol Res 69:292-309
Repp, Bruno H (2005) Sensorimotor synchronization: a review of the tapping literature. Psychon Bull Rev 12:969-92
Patel, Aniruddh D; Iversen, John R; Chen, Yanqing et al. (2005) The influence of metricality and modality on synchronization with a beat. Exp Brain Res 163:226-38
Repp, Bruno H; Knoblich, Gunther (2004) Perceiving action identity: how pianists recognize their own performances. Psychol Sci 15:604-9
Repp, Bruno H (2004) Comments on ""Rapid motor adaptations to subliminal frequency shifts during syncopated rhythmic sensorimotor synchronization"" by Michael H. Thaut and Gary P. Kenyon (Human Movement Science 22 [2003] 321-338). Hum Mov Sci 23:61-77; discussion 79-86

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