The long-term goal of this project is to further our understanding of how the auditory system forms pitch percepts and how those percepts are used to separate sounds coming from different sources. The project has three main aims.
The first aim i s to use a combination of psychophysical experiments and quantitative modeling to investigate how pitch is coded in the normal and impaired human auditory system. Experiments will investigate the ability of normal-hearing (NH) and cochlearly hearing-impaired (HI) listeners to hear out, or resolve, individual harmonic components within a complex, and relate this to overall accuracy in pitch coding and to independent measures of frequency selectivity. It is hypothesized that the pitch produced by resolved harmonics is qualitatively different from that produced by unresolved harmonics alone and that HI listeners with poorer frequency selectivity may often have to rely on the latter, less accurate, form of pitch coding.
The second aim i s to use similar methods to test the limits of pitch perception in more complex situations. These experiments will test NH and HI listeners' ability to hear two pitches at once and to hear out one pitch in the presence of a competing hannonic sound. It may be that these abilities rely on the presence of at least some resolved harmonics; if so, HI listeners may often not be in a position to hear two pitches, or to hear out one in the presence of another.
The third aim i s to evaluate separately the influence of envelope and fine-structure coding (both of which are thought to play important but different roles in pitch perception) in our ability to perceptually separate different acoustic sources. This approach is more applied and attempts to quantify the information necessary to transmit speech in complex backgrounds, such as a competing talker or a fluctuating noise. The results may have significant implications for the design of cochlear-implant processors and for signal-processing algorithms for hearing aids.

Agency
National Institute of Health (NIH)
Institute
National Institute on Deafness and Other Communication Disorders (NIDCD)
Type
Research Project (R01)
Project #
5R01DC005216-02
Application #
6620692
Study Section
Special Emphasis Panel (ZRG1-IFCN-6 (01))
Program Officer
Donahue, Amy
Project Start
2002-02-15
Project End
2007-01-31
Budget Start
2003-02-01
Budget End
2004-01-31
Support Year
2
Fiscal Year
2003
Total Cost
$285,050
Indirect Cost
Name
Massachusetts Institute of Technology
Department
Internal Medicine/Medicine
Type
Schools of Arts and Sciences
DUNS #
001425594
City
Cambridge
State
MA
Country
United States
Zip Code
02139
Whiteford, Kelly L; Oxenham, Andrew J (2018) Learning for pitch and melody discrimination in congenital amusia. Cortex 103:164-178
Allen, Emily J; Moerel, Michelle; Lage-Castellanos, Agustín et al. (2018) Encoding of natural timbre dimensions in human auditory cortex. Neuroimage 166:60-70
Oxenham, Andrew J (2018) How We Hear: The Perception and Neural Coding of Sound. Annu Rev Psychol 69:27-50
Mehta, Anahita H; Oxenham, Andrew J (2018) Fundamental-frequency discrimination based on temporal-envelope cues: Effects of bandwidth and interference. J Acoust Soc Am 144:EL423
Whiteford, Kelly L; Kreft, Heather A; Oxenham, Andrew J (2017) Assessing the Role of Place and Timing Cues in Coding Frequency and Amplitude Modulation as a Function of Age. J Assoc Res Otolaryngol 18:619-633
Madsen, Sara M K; Whiteford, Kelly L; Oxenham, Andrew J (2017) Musicians do not benefit from differences in fundamental frequency when listening to speech in competing speech backgrounds. Sci Rep 7:12624
Whiteford, Kelly L; Oxenham, Andrew J (2017) Auditory deficits in amusia extend beyond poor pitch perception. Neuropsychologia 99:213-224
Mehta, Anahita H; Jacoby, Nori; Yasin, Ifat et al. (2017) An auditory illusion reveals the role of streaming in the temporal misallocation of perceptual objects. Philos Trans R Soc Lond B Biol Sci 372:
Wojtczak, Magdalena; Mehta, Anahita H; Oxenham, Andrew J (2017) Rhythm judgments reveal a frequency asymmetry in the perception and neural coding of sound synchrony. Proc Natl Acad Sci U S A 114:1201-1206
Graves, Jackson E; Oxenham, Andrew J (2017) Familiar Tonal Context Improves Accuracy of Pitch Interval Perception. Front Psychol 8:1753

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